Songs like shooter jennings gunslinger
Also a veteran of supporting tours with his friend Colter Wall, Emerson has also been featured in Jason Momoa’s “On The Roam” and “Garden and Gun magazine. Worth, and classic honky-tonk styled crooner. Next up was Vincent Neil Emerson, an East Texas native now in Ft. Based on these two, Walker’s next album could really be something special, and one to watch for. Tentatively titled, “I Can’t Do Much For Too Long,” and “How Long,” I found both songs quite impressive.
Walker also debuted two new songs that he’s been working on for a followup recording.
Playing solo, Walker’s mix of sad honky-tonk songs and sly humor did a fine job of setting the tone of the evening. Walker last opened for Colter Wall just prior to his debut album, “Wish You Were Here” being released. First up, saw the Tower return of Joshua Ray Walker. The support for the evening consisted of two out standing Texas based songwriters in their own right. Featuring longtime collaborator Ted Russell Kamp on bass and vocals, John Schreffler on guitar and vocals, Aubrey Richmond on violin and vocals and Jamie Douglass holding down the drums, the band allowed Jennings to shine and do what he does best. The band supporting Jennings is without question one of the best in the business. Jennings spent the evening splitting time between his Telecasters and the keys, though he seems most comfortable at the latter. “4th of July,” and “Steady at the Wheel” were represented, but perhaps my favorite song of the night proved to be an emotive, poignant version of “All Of This Could Have Been Yours” that just left me emotionally drained at its conclusion. Jennings also delivered some obvious crowd favorites. There was also the stellar rendition of George Jones’ “The Door” that along with his own Jones inspired “Living in a Minor Key” were definite standouts. For those that were hoping for a Waylon song, they got one with the deeper cut “Belle of the Ball,” which was just about perfect. With its direct and to the point verses of “But don’t call an outlaw no I’m a motherfucking gunslinger” and “Some people think they know me Think they can predict me Think they gotta dis me,” Jennings lays it all on the table. Perhaps the best statement to that end could be found in the evening’s passionate recital of “Gunslinger” from 2013’s The Other Life. The new album served as a rare return to the “outlaw” form that was unquestionably successful for Jennings on his debut, “Putting the ‘O’ Back in Country.” I’m not sure it’s a genre that Jennings is really comfortable with, despite being key to its revitalization via his debut. Opening with “Bound To Get Down” off his newest album, Shooter, Jennings focused heavily on that album’s material, playing all but two songs from it. Instead, Shooter and his talented band treated us to a 21 song set that rarely took its foot off the accelerator. To constantly hear requests for his dad’s material, has to be difficult for Jennings, and could easily create a chip on one’s shoulder. Shooter Jennings is quite an established and respected songwriter, musician and producer. After all, Jennings long ago stepped out of his father’s towering shadow. I couldn’t help but wonder how many of those people had really dived into the younger Jennings’ catalog, and if they were truly prepared for what was on tap. Over and over I heard speculation or hope that he’d play this Waylon song, or that Waylon song. You know, that big Hoss that was known as Waylon, who also happens to have been Shooter’s dad. Leading up to show time, I overheard several conversations geared towards that “other“ Jennings. Okay, perhaps “many” is an exaggeration, but undoubtedly there were some that got more than they bargained for. I can’t help but speculate that there were many attending Shooter Jennings’ Tower Theatre show that were expecting something different Saturday night.